Canvas - Édouard Manet, Olympia
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ARTLIA's art prints are produced according to standardized paper and canvas formats.
Depending on the aspect ratio of the original artwork and the chosen format, it may happen that the edges of the image are slightly adjusted to achieve a harmonious overall effect and high print quality.
For canvas prints, the ARTLIA team ensures that the main motif is placed as fully as possible on the front side. The side frame areas are continued in color and style to match the original image.
This is a deliberate and common production step with which the ARTLIA team ensures the aesthetic quality of each artwork.
One motif, many styles: discover our diverse collection
Framed Canvas - Édouard Manet, Olympia
Brighten up your empty walls with this eye-catching framed canvas! This high-quality framed canvas - Édouard Manet, Olympia made of pine wood comes with rubber bumpers on the back corners and a wall hanger that makes hanging the artwork hassle-free. Additionally, the frame gives the canvas a cool floating effect!
• Frame: Pine
• Frame thickness: 3.18 cm (1.25″)
• Canvas weight: 344 g/m² +/- 25g/m² (10.15 +/- 0.74 oz/yd²)
• Open back
• Rubber bumpers on the back corners
• Hanging hardware attached
• Blank from the USA
Disclaimers:
- Framed canvases with brown and black frames have a black interior around the canvas, and canvases with white frames have a white interior around the canvas.
- This product is not intended for sanding or cutting — doing so creates dust in the air that can irritate the lungs.
Canvas Without Frame
Looking for some flair for your office or home? Your search ends here! This canvas print - Édouard Manet, Olympia with vibrant and fade-resistant colors is sure to catch the eye.
• 3.18 cm (1.25″) thick poly-cotton blend canvas fabric
• Canvas weight: 344 g/m² +/- 25 g/m² (10.15 +/- 0.74 oz./yd.²)
• Lightfast
• Hand-stretched over a solid wood stretcher frame
• Mounting hardware included
• Blank from the USA, Canada, Europe, UK, or Australia
The Scandal That Changed Art: Why Manet’s ‘Olympia’ Shocked Paris
In 19th-century France, the “Salon” was the most important stage in the art world. The exhibition organized by the French Royal Academy of Painting and Sculpture determined an artist’s reputation. Since its founding in 1667 under Louis XIV, participation in the Salon was considered one of the highest honors for artists.
But the 1865 Salon at the Paris Louvre is remembered not for general acclaim but for a fierce scandal. The cause was a painting by Édouard Manet: “Olympia.”
The work sparked outrage among the public and critics alike. Many visitors called the painting “indecent” or “tasteless.” Some even tried to damage the artwork. Manet had already faced harsh rejection two years earlier with his work “The Luncheon on the Grass.” Both paintings challenged the traditional notions of academic art.
But what exactly made “Olympia” so provocative to viewers at the time?
